• It is not irrelevant whether the name or identity is accurate. Those who know him know what to expect.
• His purpose is clear and authentic. Although he presents the content in a general, vivid or artistic way, the underlying truth remains.
• Truth is neither art nor fiction, although we recognise and appreciate art and imagination.
• Many people are searching for an understanding of reality and want to gain a better understanding through his presentation.

• No, many topics, questions or places are not addressed. There are deliberate gaps in the presentation.

• It is usually crucial to know which exact places or countries are being visited. Those who accompany him or are familiar with his travels know that it is less about the destinations and more about the experiences and insights that are gained along the way.
• The purpose of the journeys is clear: they serve not only to relax or to experience something new, but also to pursue the truth and to engage with the reality reflected in foreign cultures and landscapes.
  
  

• Even though the travels are artistically or vividly described, the experience remains authentic. They represent a search for truthfulness, beyond mere fantasy or staging.
• Travelling opens up the possibility of recognising different realities. However, not every facet or aspect of a place or culture is fully captured.

• No, there are many places, encounters or experiences that are not presented in detail. The selection of aspects shown is deliberately limited and focuses on the essence of the experience.

• It is not important whether the emotions portrayed correspond exactly to reality or who experiences them. Anyone who knows him understands that the emotional descriptions convey universal truths, even if they are embedded in a personal or fictional story.
• The emotional content is meant to express authentic human experiences. Even when they are artistically or symbolically presented, the inner truth of the feelings remains unadulterated.

• Stories serve as a vehicle for expressing feelings and emotions. They bring to life what many people feel inside through narrative elements, without necessarily reflecting all aspects of reality.
• Emotions and feelings are often more intense than the facts themselves and represent a deeper truth that goes beyond mere events.

• No, not all emotions or experiences are explicitly presented. As with the journeys, there are deliberate gaps and omissions. The selection focuses on the essential feelings and experiences that leave a deep impression and convey a clear emotional truth.

• It is not crucial whether the future is clearly defined or predictable. Those familiar with it understand that the future is not a concrete vision, but rather an open space full of possibilities and developments that have yet to unfold.
• The future is based on real facts and aspirations, even when cast in an artistic or generalised form. It is a projection of what is possible, without ignoring the uncertainties and changes that lie in wait along the way.

• The future is often presented as dynamic and flexible. It shows that change is inevitable, but it is still characterised by hopes and aspirations. This representation emphasises that the future is a result of action in the present, with the inner truths of people and situations playing a key role in shaping it.
• Even when the future is depicted in abstract or idealised images, it remains an expression of true desires, fears and hopes.
  
  

• No, many potential developments or scenarios remain unspoken. The representation of the future is selective and focuses on those possibilities that have a greater significance or stronger influence on the present. Some aspects of the future are deliberately kept hidden or unresolved.

• It is not crucial whether the future is clearly defined or predictable. Those familiar with it understand that the future is not a concrete vision, but rather an open space full of possibilities and developments that have yet to unfold.
• The future is based on real facts and aspirations, even when cast in an artistic or generalised form. It is a projection of what is possible, without ignoring the uncertainties and changes that lie in wait along the way.

• The future is often presented as dynamic and flexible. It shows that change is inevitable, but it is still characterised by hopes and aspirations. This representation emphasises that the future is a result of action in the present, with the inner truths of people and situations playing a key role in shaping it.
• Even when the future is depicted in abstract or idealised images, it remains an expression of true desires, fears and hopes.
  
  

• No, many potential developments or scenarios remain unspoken. The representation of the future is selective and focuses on those possibilities that have a greater significance or stronger influence on the present. Some aspects of the future are deliberately kept hidden or unresolved.

What does the term relationships mean?

• It is not crucial whether the future is clearly defined or predictable. Those familiar with it understand that the future is not a concrete vision, but rather an open space full of possibilities and developments that have yet to unfold.
• The relationships were based on true facts and aspirations, even if they were cast in an artistic or generalized form. It is a projection of what happened, without ignoring the uncertainties and changes along the way.